The Loss of Context: How Over-Cropping Can Misrepresent Street Scenes.

The Loss of Context: How Over-Cropping Can Misrepresent Street Scenes.

In the instant photography and social media age, the art of capturing street scenes has evolved immensely. With just a click, anyone can take a snapshot of their environment and share it with the world. However, this accessibility also brings a significant challenge: the tendency to over-crop images. While cropping can enhance a photo's composition or highlight particular details, over-cropping risks stripping away crucial context, ultimately misrepresenting the story behind the photograph.  

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I Love Tokyo
Creative Process Jeff Austin Creative Process Jeff Austin

I Love Tokyo

Tokyo is such a wonderful city! It’s clean, safe, easy to explore, and filled with fun experiences. I truly feel blessed to call this vibrant place my home, where I can spend my time capturing the beauty of one of the most fascinating cities on earth. Sharing those photos online brings me immense joy, but nothing compares to the excitement of taking you on a photo tour of Tokyo!

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In Tokyo, Colour Is Best For Street Photography.

In Tokyo, Colour Is Best For Street Photography.

I love to shoot in black and white. I love it so much that I purchased a camera that only shoots in black and white. That camera is the Q2 Monochrom by Leica. That is how much I love black-and-white street photography. This blog is almost entirely in black and white. Why suggest Tokyo looks best in colour? I think that it does.

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Is The 1:1 Aspect Ratio Best For Street Photography?
Creative Process, Pre Visualization Jeff Austin Creative Process, Pre Visualization Jeff Austin

Is The 1:1 Aspect Ratio Best For Street Photography?

I frequently use the Leica Q2 Monochrom and Nikon Z9 cameras. They have a common aspect ratio of 24 x 36 mm (3:2), ideal for landscape and portrait photography, appealing to the human eye. This ratio resembles televisions, theatres, computer screens, and most printed materials. Since many designs favour this ratio, why opt for a 1:1 aspect ratio?

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Shibuya Crossing: Why Street Photographers Hate It, Why I Love It.

Shibuya Crossing: Why Street Photographers Hate It, Why I Love It.

I want a moment. That is what I shoot in street photography. It is what I shoot in all other genres of photography as well. I don’t consider what is popular, what has been done before, just the moment. It must be a fraction of time expressed in a nearly tangible format. I need to be able to taste, smell, almost touch, and feel it. I fail at this all the time.

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